Baby Isla - French Cream
Baby Isla is where Audrey Hepburn meets cotton candy fun. Made with impeccable detail: meticulous satin black bows hand stitched neatly, juxtaposed with playful polka dot poms scattered like confetti.
Features:
+ Satin bows, hand stitched to the tutu
+ Cotton top layer decorated with fuzzy poms over 2 layers of soft, wispy tulle
+ Cotton lining
+ Velvety waistband
Baby Isla is where Audrey Hepburn meets cotton candy fun. Made with impeccable detail: meticulous satin black bows hand stitched neatly, juxtaposed with playful polka dot poms scattered like confetti.
Features:
+ Satin bows, hand stitched to the tutu
+ Cotton top layer decorated with fuzzy poms over 2 layers of soft, wispy tulle
+ Cotton lining
+ Velvety waistband
Baby Isla is where Audrey Hepburn meets cotton candy fun. Made with impeccable detail: meticulous satin black bows hand stitched neatly, juxtaposed with playful polka dot poms scattered like confetti.
Features:
+ Satin bows, hand stitched to the tutu
+ Cotton top layer decorated with fuzzy poms over 2 layers of soft, wispy tulle
+ Cotton lining
+ Velvety waistband
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Sizing: 1-3T measures approximately 10.5 inches long and the waist stretches from about 15 inches to 24 inches. It typically starts to fit when the child can sit independently, around 6 months.
3-5T measures approximately 12.5 inches long and the waist stretches from about 16 inches to 26 inches.
5-7Y measures approximately 14.5 inches long and the waist stretches from about 17 inches to 28 inches.
If your child is at the overlap age, go for the bigger size unless you prefer a shorter tutu (which is super cute, too!)
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Designed by Sarah in Canada, made by Amanda & team in China, and finished by Monica and Candy in Canada.
A bit about Amanda & her team: Amanda runs a family owned business in a simple 3 storey building in Dongguan, Guangzhou. The bottom floor is for fabric cutting, the middle floor is for sewing, and the top floor is for resting. All of the cutting, sewing, and packaging is done by a small group of family members and local hires.
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I wanted to design a style that’s truly timeless and impeccably textured. Something that catches your eye not because it’s shiny and fancy, but it draws you in because of something more subtle - you almost have to look closer to find out what it is. So instead of adding colour or shine, I decided to add texture and contrast. I think this is why the Baby Audrey is such a classic.